domingo, 14 de fevereiro de 2010
quarta-feira, 10 de fevereiro de 2010
Elly Aguiar no Programa Plataforma
Amigos, apartir de amanhã 12/02 a 18/02 estarei no programa Plataforma, http://www.plataforma.art.br/ o programa é um dos raros espaços da net onde é possivel ouvir e ver algo cristão bem produzido e com conteúdo. Não preciso dizer que estou muito feliz e lisonjeado por ter sido convidado pra fazer o programa. Espero que curtam, depois se puderem deixem aqui as suas impressões.
Entre vários nomes da música cristã que já passaram pelo Plataforma, no arquivo é possível encontrar figuras como: João Alexandre, Gladir Cabral, Silvia e Henrique Mafra, Nelson Bomilcar, Baixo & Voz, Stênio Marcius, Wanda Sá, Alma e Lua, Quarteto Vida, Silvestre Kulhmann, Glauber Plaça, Jorge Ervolini, Fabinho Silva, Airô Barros, Priscila Barreto, entre outros. Espero de coração que gostem, fiz com o coração, como tudo que faço!
Ao pessoal que acompanha esse blog, terá uma bela mostra da aplicação do DADGag num estilo brazuca, toquei uma canção que foi composta numa mistura de estilos chamado MARCAFUNK (é isso aí) Maracatu + Funk (americano), espero de coração que vocês curtam bastante, e depois se quiserem deixem aqui as suas impressões,
Abraço
EllyAGuiar
Entre vários nomes da música cristã que já passaram pelo Plataforma, no arquivo é possível encontrar figuras como: João Alexandre, Gladir Cabral, Silvia e Henrique Mafra, Nelson Bomilcar, Baixo & Voz, Stênio Marcius, Wanda Sá, Alma e Lua, Quarteto Vida, Silvestre Kulhmann, Glauber Plaça, Jorge Ervolini, Fabinho Silva, Airô Barros, Priscila Barreto, entre outros. Espero de coração que gostem, fiz com o coração, como tudo que faço!
Ao pessoal que acompanha esse blog, terá uma bela mostra da aplicação do DADGag num estilo brazuca, toquei uma canção que foi composta numa mistura de estilos chamado MARCAFUNK (é isso aí) Maracatu + Funk (americano), espero de coração que vocês curtam bastante, e depois se quiserem deixem aqui as suas impressões,
Abraço
EllyAGuiar
terça-feira, 9 de fevereiro de 2010
Aulas de Violão: Diego Venâncio
Amigos, se existe coisa que tenho alegria, é indicar um amigo de confiança, a outros amigos, e é bem esse o caso, o Diego Venâncio é um grande amigo de alegrias e tristezas, daqueles que agente guarda a 7 chaves do lado esquerdo do peito, e além de ser uma pessoa excepcional, um grande músico-compositor e talentoso instrumentista, e que tá quebrando tudo na viola!
Breve Release
Violonista e professor de violão começou os estudos aos 09 anos de idade, com formação popular na Escola Livre de Música em Santo André, e erudita, estudou o curso técnico da Fundação das Artes de São Caetano do Sul com o professor Henrique Pinto. Nas igrejas no Brasil tem divulgado seus dois trabalhos gravados. 1º CD Expressão e 2º Calar dos Ruídos.
Integrou o grupo “Vencedores Por Cristo” como guitarrista durante 2 anos de 2004 a 2006. Atualmente acompanha o compositor Stênio Marcius juntamente com sua esposa Sara Müller que é flautista. É formado em Design Multimídia pela Faculdade Senac, fez a trilha sonora do curta metragem "Mero Detalhe" que ficou em 2ºlugar do festival Acesc (Associação de Clubes Esportivos e Sócio Culturais de São Paulo), ocorrido na Hebraica. Participou durante 3 anos do quarteto de violões da Fundação das Artes de São Caetano do Sul, o qual em outubro de 2002, foi premiado com o 1° lugar do “XIII Concurso Nacional de violão do Conservatório Souza Lima” competindo com violonistas de todo o Brasil.
Em 2003 foi em finalista no “XIV Concurso Nacional de violão do Conservatório Souza Lima” na modalidade solo. E-mail: diegovenanciosilva@gmail.com
Telefones: (11) 3476-7516 / 8632-0966 Mora próximo ao metro Ana Rosa em São Paulo, além de ter a disponibilidade de atender na residência do aluno.
quarta-feira, 3 de fevereiro de 2010
Nem George Harrison em toda sua glória. . .
ousou. . . esquisitices da NET. . . essa Mr. George Harrison se retorceu na tumba, mas é legal. . . While My Guitar Gently Weeps in DADGAD
BenPowell - Denovo!!
Arranjado para violão fingerstyle em DADGAD. Este é o tema da série Americana ITV anos 90 "Jeeves & Wooster" c/ Stephen Fry e Hugh Laurie cheeky.
Denny Breau - 29 Professional Acoustic - DADGAD mp3 free download
Denny Breau DADGad . . . mais uma coisa bem legal de DADgad
Denny Breau - BIO - http://www.dennybreau.com/home.htm
Denny Breau’s rhythmically flawless and dazzlingly clear style allows him to do amazing and stunning things with a six-string guitar. He first draws in an audience with a finely arranged melody and then slides effortlessly into scorching fingerwork that sets ears aflame. The lighting fast guitar lines that seem almost humanly impossible to accomplish are balanced with those that have a quiet intimacy and wrap tenderly around his carefully crafted songs. He mixes genres with ease — folk, Delta blues, country and jazz — “creating a totally accessible musical mélange that captivates as it entertains,” according to Lucky Clark writing for the Kennebec (Maine) Journal.
Guitarists in the audience often suspect that they have been left in the dust and regularly tell Denny that they might as well hang up their guitars! As Denny greets concert-goers and shakes hands following his performances, guitar players invariably ask how he performs certain techniques and Denny, who has a passion for teaching, is happy to show them. This is especially true when demonstrating the guitar style of Chet Atkins, who was a family friend and major influence. Shows usually include a “smartly executed Chet Atkins medley by Breau who truly does the late Atkins proud,” according to a review in Dirty Linen magazine.
It is not an exaggeration to say that Denny was born to the instrument on May 26, 1952. His parents, Hal Lone Pine and Betty Cody, were popular country performers and RCA recording artists beginning in the 1940s. His older brother, the late Lenny Breau, is considered a jazz guitar giant. A recent Dirty Linen review of Denny’s solo CD of “neighborly song portraits of weathered souls” said that "listening to Denny nimbly bend his acoustic steel strings…one can hear a jazz player’s elegant fluidity.”
Denny started playing guitar when he was 9 years old and was performing professionally by his early teens. During more than 30 years as a full-time musician, he has performed with many well-known artists and picked alongside outstanding guitarists including Bryan Sutton, Harvey Reid, J.P. Cormier, Pat Donohue, Dan Crary and Steve Kaufman. He has long been in demand as a studio musician and has done jingles and sound tracks for radio and television as well as recorded and produced albums for other artists. Denny was a member of roots music trio Turkey Hollow with Tom Rowe and Tom's son Dave starting in 1998. Since Tom's death in early 2004, Denny and Dave have continued to perform as Turkey Hollow on a limited bases. Denny was inducted into the Maine Country Music Hall of Fame in 2004, the youngest inductee in the history of the organization.
In addition to an active solo career, Denny gives private guitar lessons and teaches music clinics. He also fronts the Denny Breau Trio. Both in solo and trio performances, musical boundaries disappear as Denny takes his music to wherever the joy and spirit of the moment leads him.
Denny is a triple threat: a consummate picker, evocative songwriter, and a singer with a " voice that is warm and inviting but completely unpretentious— much like the singer himself," according to Lucky Clark. Mainers have long considered Denny a "must –see," but they are happy to share a favorite son with those "from away."
Denny Breau - BIO - http://www.dennybreau.com/home.htm
Denny Breau’s rhythmically flawless and dazzlingly clear style allows him to do amazing and stunning things with a six-string guitar. He first draws in an audience with a finely arranged melody and then slides effortlessly into scorching fingerwork that sets ears aflame. The lighting fast guitar lines that seem almost humanly impossible to accomplish are balanced with those that have a quiet intimacy and wrap tenderly around his carefully crafted songs. He mixes genres with ease — folk, Delta blues, country and jazz — “creating a totally accessible musical mélange that captivates as it entertains,” according to Lucky Clark writing for the Kennebec (Maine) Journal.
Guitarists in the audience often suspect that they have been left in the dust and regularly tell Denny that they might as well hang up their guitars! As Denny greets concert-goers and shakes hands following his performances, guitar players invariably ask how he performs certain techniques and Denny, who has a passion for teaching, is happy to show them. This is especially true when demonstrating the guitar style of Chet Atkins, who was a family friend and major influence. Shows usually include a “smartly executed Chet Atkins medley by Breau who truly does the late Atkins proud,” according to a review in Dirty Linen magazine.
It is not an exaggeration to say that Denny was born to the instrument on May 26, 1952. His parents, Hal Lone Pine and Betty Cody, were popular country performers and RCA recording artists beginning in the 1940s. His older brother, the late Lenny Breau, is considered a jazz guitar giant. A recent Dirty Linen review of Denny’s solo CD of “neighborly song portraits of weathered souls” said that "listening to Denny nimbly bend his acoustic steel strings…one can hear a jazz player’s elegant fluidity.”
Denny started playing guitar when he was 9 years old and was performing professionally by his early teens. During more than 30 years as a full-time musician, he has performed with many well-known artists and picked alongside outstanding guitarists including Bryan Sutton, Harvey Reid, J.P. Cormier, Pat Donohue, Dan Crary and Steve Kaufman. He has long been in demand as a studio musician and has done jingles and sound tracks for radio and television as well as recorded and produced albums for other artists. Denny was a member of roots music trio Turkey Hollow with Tom Rowe and Tom's son Dave starting in 1998. Since Tom's death in early 2004, Denny and Dave have continued to perform as Turkey Hollow on a limited bases. Denny was inducted into the Maine Country Music Hall of Fame in 2004, the youngest inductee in the history of the organization.
In addition to an active solo career, Denny gives private guitar lessons and teaches music clinics. He also fronts the Denny Breau Trio. Both in solo and trio performances, musical boundaries disappear as Denny takes his music to wherever the joy and spirit of the moment leads him.
Denny is a triple threat: a consummate picker, evocative songwriter, and a singer with a " voice that is warm and inviting but completely unpretentious— much like the singer himself," according to Lucky Clark. Mainers have long considered Denny a "must –see," but they are happy to share a favorite son with those "from away."
terça-feira, 2 de fevereiro de 2010
Reproduzindo. . .
DADGAD Tuning
DADGAD TuningCommonly known as “D Modal Tuning”, DADGAD has become very pop- ular among acoustic fingerstyle guitarists. The notes of the open strings form a Dsus4 chord, which is neither major nor minor. Start by tuning the low E string down a whole step to D. Next, tune the B string downa whole step to A. Finally, tune the high E string down a whole step to D. Jimmy Page used this tuning in some classic Led Zeppelin songs like “Kashmir” and “Black Mountain Side.” Celtic guitarists also use DADGAD because of the ability to have so many chords that involve open strings.
Tonalidade DADGAD comumente conhecido como "D Modal Tuning", DADGAD tornou-se muito popular entre guitarristas acústico-fingerstyle. As notas das cordas soltas formam um acorde D4, que não é nem maior nem menor. Comece por afinar a corda E (1a.) um tom abaixo. Em seguida, ajustar a seqüência B (2a.) em A. Por fim, afine a corda E (6a.) em D.
Jimmy Page usou essa afinação em alguns clássicos do Led Zeppelin em canções como "Kashmir" e "Black Mountain Side", guitarristas Celtic também usam DADGAD por causa da possibilidade de ter várias cordas que envolvem cadeias abertas.
Em algum lugar do planeta. . .
. . . sempre existirá um maluco com um violão na mão, um monte de idéias na cabeça em forma de canções, e uma galera pra ouví-lo, no dia que o sal da terra acabar, isso não mais terá a menor graça.
Bensusan. . . by Ben Powell
Bensunsan é um iluminado, e escreveu uma peça em homenagem ao grande Michael Headges, poucos executam com destreza, pegada, e feeling, é o caso de 'So Long Michael' escrita por Pierre Bensusan, e executada aqui by Ben Powell
'So Long Michael' by Pierre Bensusan, played by Ben Powell
More Videos & Games at TubeOli
'So Long Michael' by Pierre Bensusan, played by Ben Powell
More Videos & Games at TubeOli
Sobre os bons vídeos. . .
Como disse alguns posts atras, na net se vê de tudo, coisas boas, e outras nem tão boas assim, mas pra quem gosta. . . vai mais um pouco de Dady Gad, no meio da execução pros mais atentos, uma citação ao Bon Jovi. . .
Valsa. . .
Não sou um cara muito chegado as tais valsas, Explico!!! Quando era muleque, fui muito exposto a esse tipo de música, mas tudo que chegava, a abordagem, execução eram péssimas, o que criou em mim, verdadeira ogeriza.
Como não sou um radical, assisti esse vídeo e achei muito legal, se vc não curtir o estilo, apenas preste atenção na execução, e nas possibilidades sonoras, só isso já vale!
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